In Denmark, sculptures about the war by Ukrainian artist Maria Kulikovska were destroyed at exhibition

Date: 23 December 2025
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Nataliya Popovych, Director of the Ukraine House in Denmark, and the Spilne Art gallery reported that an unknown individual destroyed sculptures from the exhibition My Body Is a Battlefield. Copenhagen by Ukrainian artist Maria Kulikovska, which was held in Denmark.

Three bronze statues stand on pedestals along a waterfront promenade at sunset, with historic buildings featuring traditional Danish architecture visible across the harbor under a pink and purple twilight sky. The silhouetted figures face the water, creating a contemplative scene against Copenhagen's illuminated cityscape. Photo credit: Nataliya Popovych

The exhibition opened on November 18 and was scheduled to run until December 26. According to Popovych, the exposition depicted the memory of war, vulnerability, and resilience of Ukrainian women. As a result of the attack, two sculptures of pregnant women and a memorial flower figure were destroyed.

The attack occurred during the day on December 22. CCTV cameras captured the actions of the unknown individual.

A bronze memorial sculpture of a person lying face-down rests on a bed of dark stones set into cobblestone pavement, with informational plaques visible nearby and wooden planks in the foreground. The fallen figure memorial is surrounded by scattered white stones or pebbles as a form of remembrance tribute. Photo credit: Nataliya Popovych
Popovych noted that the destruction of the works is not only damage to art but also an attack on the stories, dignity, and meanings that these sculptures embodied. She emphasized that the organizers condemn the act of vandalism and are cooperating with the Danish police, providing support to the investigation.
 
A nighttime scene shows an illuminated art installation of a large sculptural hand with glowing elements resting on dark gravel, accompanied by damaged benches and metal grating, with street lights and buildings visible in the background. The weathered copper or bronze hand sculpture appears to be part of a memorial or public art piece in an urban waterfront setting. Photo credit: Nataliya Popovych

Maria Kulikovska has previously encountered violence against her works. In 2014, militants shot up her sculptures at the Izolyatsia Art Centre, and after the 254 performance at the Hermitage, the artist was detained and threatened with forced psychiatric confinement.

Commenting on the events in Copenhagen, Kulikovska explained that she sees the same logic in them – the destruction of art as a form of political pressure and an attack on a defenseless body. She understands that the sculptures were intentionally broken and views their destruction as the beginning of a period of mourning and a shift toward a more radical artistic language.

To provide background, in October 2025, singer and songwriter Kate Bush united leading British artists in the Sound & Vision charity project to raise funds for War Child, an organization that supports children in armed conflict zones.

Previously, the DTEK energy company filmed a Christmas musical performance, “Shchedryk,” in the machine hall of a thermal power plant (TPP) that was destroyed by Russian attacks, and called on the world to strengthen the protection of Ukrainian energy infrastructure.

In December 2025, the ethno-band DakhaBrakha presented the lullaby “Dytyatochko,” which the musicians dedicated to Ukrainian children abducted by Russia. The song was recorded against the backdrop of the monumental installation “Black Cloud,” which was displayed at the 2025 Burning Man festival.

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